Tuesday, 25 March 2008

Tell Us Something We Don't Know (2nd draft)

Eyes rolled like eggs
in the cutlery drawer
The coffee stains
on the rug
began to bleed
That looks uncomfortable
I gathered the eyes
in a pan
lit the gas
The pupils were pips
to be pulled
with tweezers
They hummed
in a bowl
A bubble broke
the surface
of the water
I covered my mouth
with my hand
Pardon you
I'll leave you to it
I danced
with the fireguard
during the wait
but he was overexcitable
and had to be sent
to the cupboard
under the stairs
to calm down
I smoked a cigarette
to cover the screaming
The challenge had made
my hands shake
the air was blue lace

Revolution Day (unfinished)

From the park
to Heroes Square
grandparents hold
their inheritors aloft
like flags, painted faces
blend into charcoal
helmets as beetles
swarm the streets,
slice the junctions
with guillotine blades,
an almost unnoticed
handover before coffee
shop windows.
Cyclists dismount,
trams judder, a tin
voice echoes over
conversations
about the varying
degrees of McDonalds
standardisation
across continents,
'But we haven't tried
Hungarian food yet'.
Remove and walk.
Blacked out eyes
of oil coach slugs
unloading ants
onto the pavement.
An old man flutters
against plastic shutters
in the tunnelled
underground,
resurface into the
eye storm,
a headlight looms
and fades.

Alize

I can remember drinking
that too-sweet wine
in the sorozo, where fat
men sweat over fruit machines.
I led you through charcoal
wallpaper to the wrong
side of the looking glass,
road signs shrank
like night butterflies
in paper cups, owls
framed a tiny door.
We were lizards basking
in a decollage of glass,
brick and plastic, crows
pecking at a landmine,
we bent teaspoons
down throats
to steal yawns.
Among a shadow puppet
theatre of the grotesque
silhouetted on gables,
we are butter drenched.
I clutch my brown envelope
like a lunchbox,
and leave.

Sculpture (unfinished)

Discontent
with folding tissue
paper ducks
you developed a taste
for innards,

the hippopotamus skull
was the beginning,
like russian dolls
you scoop out layer
after layer, hang
them out to dry
like a butcher's
carcass,

your obsession
slit my chest open,
ripped my ribcage
like a corset,
filled me.

no matter
that the plaster
bloats the hollows
of my cheeks
like a drown
victim,
clogs my eyes
with pebble tears,

strung up,
skin shredded,
you display my core
like a burst plum
dripping from the sky.

Picnic

An ink crow
smudges the mist
of the sattelite orchard,
294 television screens
like Dali's window,
the transposed bodies
of men flickering,
etrog sweet.
I am the heart hunter
plunging through the trees,
prick the pregnant
boughs, burst fruit
flesh with my tongue.
I write my section six
on sliced white bread,
my right to squat
inside you,
but up ten hundred
flights of stairs
where light melts
my shoes, you wrap
yourself tight,
nut skinned.
My abortion sprayed
up the trunk,
I settle down
to peel.

Friday, 14 March 2008

Photgraph of Budapest

This city is a brittle leaf
Dry skin peels
from buildings,
carcasses of age,
bullet sprayed.
Metal cages clasp
construction sites
that swell the sky.
Streets are missing
teeth, cleanly dug
gaps of earth.
Statues roam
past parliament,
grazing
marble buffallo.

Cyclones tear
our throats out
beneath the pavement,
steel inspectors
pierce my face,
the beggars
dormitories expand
through the subways,
bare mattresses,
fruit box bedside
tables, couples
wrapped
in reading.

I tie parcel tags
to trees, label them as
Turcsi Orr,
Levél Bomba,
Diótöro
I glue wooden
picture frames
to broken windows
and call it
No Sugar,
Leftovers,
Ocean.

Look.

Biscuit

She took my hand,
led me through staggering
streets. We paused only
to wash our reflections
from puddles.

I scattered pieces of myself
through the city like crumbs,
scrunched beneath the cushions
of a dilapidated sofa,
pooled around the drain
in a flooded subway tunnel,
bobbing in tear
tracks on the road.

You found us curled
in the pocket
of your best friend’s
leather jacket.