Tuesday, 25 March 2008

very rough ideas

I leave my imprint on you
like teethmarks in wax
knead your shoulders
like clay, make you bleed
twice on cotton sheets
like a baptism massacre
dab at your heart
with a sponge

like an ink scar
of the past
a mistimed blink
of the skin
snaking up your wrist
to your elbow
I trace each lie
in permanent
needle point

you burn a smiling face
into my wrist
watch as each twisting
serpant writhes, spits
blue venom
and the eyes on your arm
become mine, the deep
indigo pools
you once swam in
now hissing acid pitts
like warm apple core
sockets, I tease
seeds from your pores
to plant

Frozen Door (2nd draft)

Among the asylum
of thrusting priests
I am nymph skinned
bleeding freckles
on the silent tiled floor
You plead martyrdom
as I chew the door handle.
I lose you on 'A Szerelem Sziget'
in light dust lacing
but I am a sailor heaving
through indigo oils
through labourers folded faces
I press a fingernail
through waxen fruit
drain the rivers to sand spines
hear your neck crunch
on Salome's pillow

Frozen Door

Written in response to a visit to the Museum of Fine Art.

Among the asylum
of thrusting priests
I am nymph skinned
bleeding freckles
on the silent tiled floor
martyrdom pleads
through the quiet awe
of misunderstanding
I lose you on 'A Szerelem Sziget'
in the light dust lacing
I am a sailor heaving
through indigo oil
through labourers folded faces
I press a fingernail
through waxen fruit
drain the rivers to sand spines
I hear your neck crunch
on Salome's pillow

Tell Us Something We Don't Know (2nd draft)

Eyes rolled like eggs
in the cutlery drawer
The coffee stains
on the rug
began to bleed
That looks uncomfortable
I gathered the eyes
in a pan
lit the gas
The pupils were pips
to be pulled
with tweezers
They hummed
in a bowl
A bubble broke
the surface
of the water
I covered my mouth
with my hand
Pardon you
I'll leave you to it
I danced
with the fireguard
during the wait
but he was overexcitable
and had to be sent
to the cupboard
under the stairs
to calm down
I smoked a cigarette
to cover the screaming
The challenge had made
my hands shake
the air was blue lace

Revolution Day (unfinished)

From the park
to Heroes Square
grandparents hold
their inheritors aloft
like flags, painted faces
blend into charcoal
helmets as beetles
swarm the streets,
slice the junctions
with guillotine blades,
an almost unnoticed
handover before coffee
shop windows.
Cyclists dismount,
trams judder, a tin
voice echoes over
conversations
about the varying
degrees of McDonalds
standardisation
across continents,
'But we haven't tried
Hungarian food yet'.
Remove and walk.
Blacked out eyes
of oil coach slugs
unloading ants
onto the pavement.
An old man flutters
against plastic shutters
in the tunnelled
underground,
resurface into the
eye storm,
a headlight looms
and fades.

Alize

I can remember drinking
that too-sweet wine
in the sorozo, where fat
men sweat over fruit machines.
I led you through charcoal
wallpaper to the wrong
side of the looking glass,
road signs shrank
like night butterflies
in paper cups, owls
framed a tiny door.
We were lizards basking
in a decollage of glass,
brick and plastic, crows
pecking at a landmine,
we bent teaspoons
down throats
to steal yawns.
Among a shadow puppet
theatre of the grotesque
silhouetted on gables,
we are butter drenched.
I clutch my brown envelope
like a lunchbox,
and leave.

Sculpture (unfinished)

Discontent
with folding tissue
paper ducks
you developed a taste
for innards,

the hippopotamus skull
was the beginning,
like russian dolls
you scoop out layer
after layer, hang
them out to dry
like a butcher's
carcass,

your obsession
slit my chest open,
ripped my ribcage
like a corset,
filled me.

no matter
that the plaster
bloats the hollows
of my cheeks
like a drown
victim,
clogs my eyes
with pebble tears,

strung up,
skin shredded,
you display my core
like a burst plum
dripping from the sky.